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138 Main Street
Apple Bank Building
Second Floor
Sag Harbor, NY 11963
(use for courier delivery)
P.O Box 510
Sag Harbor, NY 11963
(use for USPS delivery)
T 631.725.0229
F 631.725.0230
Profile
Bates Masi + Architects LLC, a full-service architectural firm with roots in New York City and the East End of Long Island for over 45 years, responds to each project with extensive research in related architectural fields, material, craft and environment for unique solutions as varied as the individuals or groups for whom they are designed. The focus is neither the size nor the type of project but the opportunity to enrich lives and enhance the environment. The attention to all elements of design has been a constant in the firm’s philosophy. Projects include urban and suburban residences, schools, offices, hotels, restaurants, retail and furniture in the United States, Central America and the Caribbean. The firm has received 43 design awards since 2003 and has been featured in national and international publications including The New York Times, New York Magazine, Architectural Digest, Architectural Record, Metropolitan Home, and Dwell. Residential Architect Magazine selected Bates Masi one of their 50 Architect’s We Love. A gallery exhibition in May 2010 featured the firm’s earlier work from 1960-70.
Paul Masi spent childhood summers in Montauk and currently resides in Amagansett. He received a Bachelor of Architecture from Catholic University and a Masters of Architecture from the Graduate School of Design at Harvard University. He worked at Richard Meier & Partners before joining this firm in 1998.
Harry Bates, a resident of East Hampton, received a Bachelor of Architecture from North Carolina State University. After ten years with Skidmore, Owings & Merrill, he was in private practice in New York City for 17 years before moving the firm to Southampton on the East End in 1980. Our offices are currently located in Sag Harbor with plans to relocate to a new LEED Certified office building of our own design in East Hampton.
















Genius Loci
Lot size: 1.6 acres
Building size: 7,000 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Michael Moran
Contractor: Davis Builders
Montauk, NY, resembles many other small seaside communities. However, it possesses unique characteristics that imprint lasting memories. The weather is unpredictable with banks of heavy fog and gusty winds. History is closer to folklore than truth with stories of the Montauk Project Conspiracy, German Submarines and, the Montauk Monster blurring the line between fact and fiction. Remnants of the past such as a radar tower and bunkers are scattered throughout the landscape. Socially, there is a seasonal migration and mix of economic classes. The clients could have chosen to vacation anywhere in the world, but were lured to Montauk by the characteristics that make it unique from other areas. These characteristics embody the “Spirit of Montauk” and the clients challenged the architect to design a house that would embody and capture this spirit.
Formerly a horse ranch, the rolling green pasture of the site is located at one of the highest elevations in Montauk. The extensive program is terraced and embedded into the steep slope of the hill without compromising access to the exterior or natural light. Approaching from the south, the house appears to be two modest and separate one-story ranch houses. Circling around to the north, the house unfolds to reveal a more extensive project. In this case, the conventional
Montauk building typology of the low-pitched gabled roof is modified by the geometries of the allowable building envelope and height restrictions of the site. The ridge is offset and the walls converge, directing one’s view west to the lake. The optical illusion caused by the parabolic roof is visible on the South side and entices a second look, as do numerous other details.
Architectural details throughout the house occur at unexpected moments. A wood screen covered bridge unifies the two shingle clad volumes, allowing light into the grass paver courtyard below. The cedar screen of the bridge reads differently from day to night. It appears flat during the day, but, as darkness falls, light seeps out in an undulating pattern showing the wedge shape cut in the back of the boards. In front of clerestory windows, a milled bluestone screen is similarly detailed. The stone appears weightless as alternating stones are removed from the pattern to let light into the guest area. These unexpected details reinforce the larger idea of capturing the unexpected.
There is no prescribed path of circulation, encouraging different encounters much like the social experiences of Montauk. One can enter beneath the bridge and up terraced planter steps revealing the rolling hills and ocean in the distance. One can also climb the exterior entry stair that mirrors the interior stair, separated by a wall of glass. One can choose to enter into the house or continue to the outdoor fireplace, dining area, and out to the pool. The exploration resulting from unique circulation yields a different memorable experience for everyone.
Georgica Pond
Lot size: 2.0 acres
Building size: 6,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: Andreassen & Bulgin
This limestone, steel, aluminum and glass house was erected on the foundation of an earlier one-story modern wood house designed by the Architect 35 years ago. The new owners, needing a larger house, wanted to continue the modern vernacular at this pond-front property. However, subsequent zoning dictated building only on the exact footprint of the original house. The new structure has two stories with a connected studio/garage.
The Main Entrance is a 2-storied skylit space with double staircase to the second floor. The living room, dining room, kitchen, utility room, library, and two guest bedrooms with baths are on the first floor. The second floor has the master bedroom/sitting room with two dressing rooms, two vanity areas and a large bathroom with separate tub and shower. Also on the second floor are an exercise room, massage room and skylit solarium at the top of the double stair.
All rooms open onto continuous walkways and terraces around the entire house at both first and second floors.
The interior flooring is limestone and carpet; large expanses of plaster walls accommodate the owner's art collection.
The studio and garage, also on an original foundation, are attached to the main house with a glass walled and roofed corridor. The swimming pool and pool house are located a short distance from the main house with its' own view of the surrounding pond.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Noyack Creek
Lot size: 0.31 acres
Building size: 1,350 sq. ft.
Location: Noyack, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
The client, a New York actor, sought a retreat for relaxation and casual entertaining on a restrictive narrow lot fronting the tidal estuary of Noyack Creek. The house became a study in architectural theatre: a series of spaces in a carefully scripted sequence that subtly reflect his professional life.
The path begins at the front door where perforated privacy screens slide apart like a curtain, revealing the loft-like living and dining spaces. The direction of the deck boards that make up the flooring is altered to demarcate the path through the space, emerging seamlessly to an exterior waterside deck. A broad stair to the second level, parallel with an interior stair along a glazed wall, acts as tiered seating for entertaining and looking at the water view beyond. Beneath the stair, hidden backstage for maximum privacy, the guest room shares the water view through a nearly hidden sliding door. Guests emerge as if through a trap door.
Continuing up the stair to the second floor, the final destination is the master suite and balcony. The master bedroom is connected to the bath by a bridge overlooking the public spaces below which are lit by the glazed stair wall. Lined with a guardrail of stainless steel cables recalling a fly loft and catwalk, the path culminates in the master bedroom with its wall of glazing overlooking the water.
Windows throughout the house are carefully placed to provide the maximum daylight and water views while maintaining privacy from the nearby neighbors and street. The siding system is manipulated for varying degrees of privacy as well. Comprised of Skatelite, a natural resin panel typically used in skateboard ramps, the siding is water-jet cut with tight joints in areas demanding privacy and loosely spaced in other areas to admit light and air. The texture and color of the siding, in keeping with the budget of the house, reference a black box theatre.
In the end, a house that could have been limited by its small site and budget was elevated by its conception as a stage for memorable experiences.
Re-cover
Lot size: 0.5 acres
Building size: 1,500 sq. ft.
Location: Amagansett, New York
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: Paul Cassidy
Thirty-five years after the firm originally designed this vacation residence, its new owners sought to rejuvenate the house while preserving its spaces, seasoned tones, and texture. Clad inside and out almost entirely in twelve-inch wide cypress boards, the original house exuded a straightforward simplicity the owners wished to maintain. By constraining the palette of materials and reusing salvaged parts of the existing house, the line between new and old becomes nearly imperceptible, limited only to minimal inflections in finish.
In the enlarged and updated baths, and in the modernized kitchen and dining terrace, a dense glacial sedimentary sandstone is used for its fine workability into a variety of finishes. In this way the stone varies subtly – only in texture – as it is reapplied from one surface to another: horizontal walking surfaces are rendered with a smooth honed finish, vertical wall surfaces with a rough flamed finish, and countertops in a glossy polished finish. This tactile language is traced consistently from room to room.
Little of the material seen in the addition is in fact new. As the south wall and deck of the house were dismantled to make room for the new construction, the cypress boards and cedar decking were carefully
salvaged and machined into new siding, fine scrim material, stair treads and risers. Reused, this cladding bears precisely the same patina as the other surfaces in the house – an effect truly impossible to achieve with new construction materials. Only on close inspection is new texture and color revealed at the boards’ freshly cut edges.
In enhancing the simplicity of the original design, a subtle complexity has emerged. Splices, cuts, and finishing techniques inflect upon otherwise homogenous materials, recording the methods of craft and workmanship. Over the next thirty-five years the patina that naturally accrues over time will continue refine the delicacy of these inflections.
Roaman
Lot size: 0.43 acres
Building size: 3,450 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: A Harry&Sally Doghouse
A young couple with a growing family sought to redevelop property on a street of small cottages on narrow half-acre plots, requesting a proposal that could accommodate their space needs, reflect their interests and personalities, and integrate sensitively into the neighborhood. The consummate design for this photographer-naturalist duo combines highly efficient interior and exterior space organization with a dynamic articulation of materials in an architectural vocabulary at once freshly modern and deferential to its neighbors.
The main house and detached woodshop are formed and configured to collect and define discreet areas for outside activities such as guest reception, fireside entertaining, dining, swimming, and lawn sports. Articulating these zones and tailoring each to its intended purpose maximizes the yard’s utility. Extending the facades of the house and woodshop as freestanding walls furnishes each outdoor space with privacy, and tucking other spaces beneath the second story affords shelter from the elements. Ultimately, the small site’s potential is fully realized while maintaining a sense of liberal space through order.
While the house’s cantilevered second story resonates with the other homes on the street in its simple gabled structure and traditional clapboard siding, the ground level is wrapped in a unique custom-milled rainscreen siding. The top edge of each board is beveled subtly at different angles to render varying degrees of shadow and permit various amounts of transparency across the facade. As the sun moves across the sky throughout the day, high to low through the seasons, and crisp to diffuse through atmospheric changes, so too will the house’s surfaces and spaces beyond change dramatically over time. In this way a photo-graphic (light-drawing) technique is activated by changes in the natural environment, uniting the clients’ interests and lifestyle in their home and site.
Amplification of the play of light on the built structure is pursued further inside the house. Above the living room a half-butterfly roof diffuses southern sunlight through a frosted glass clerestory and reflects it deep into the dining area. At the stairwell a dormer nestled in the gabled roof lights the tall column of space from three stories above. And in the master bedroom light entering through the gable-end clerestory filters through a ceiling of the custom-milled siding.
Ultimately, the house not only serves the basic needs of its residents, but also acts as a work of kinetic sculpture, an art piece that enriches their daily lives.
Robins Way
Lot size: 1.5 acres
Building size: 2,000 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Brian Mannix
Interior Designer: Athena Calderone
The clients, an interior designer and a DJ, requested a complete renovation and addition of a 1960’s kit house in Amagansett, NY to be a weekend retreat from their urban apartment. The clients gathered images of objects and conventional materials utilized in new, interesting ways as inspiration for the design. A single design solution that could unify the old remaining parts of the house to the new intervention was sought. This solution should solve acoustical, lighting, equipment coordination and simultaneously address the aesthetic décor requirements of the client’s collection of objects. A vocabulary was developed that allowed the patina and history that the client favored to remain and new experiences to evolve.
The house was gutted and reduced down to the skeletal framework allowing the intervention to utilize the post and beam construction that remained. Between the existing ceiling joists, natural rope was woven through a digitally fabricated framework. Weaving patterns were used to signify different ceiling conditions. Lighting penetrates through a crossed weave of the rope. It transitions to a straight weave to shield speakers and utilities from view. Since the client is a DJ, sound is very important. The rope weave
acts as an acoustic baffle absorbing background noise, but allows music from the ceiling mounted speakers to be emitted.
To integrate with the décor, the rope was used structurally to support several items such as a large, custom steel framed mirror in the Master Bathroom and the Dining Room Chandelier. A large sliding door is woven with the same rope to provide privacy from the neighbors and shield the sun at various times of the day. The sunlight rakes through the openings casting linear shadows on the bathroom floor.
Unifying the exterior is a dark stained cedar siding that wraps all of the exterior facades and transitions to the matching frames of the replaced windows and doors. The newly constructed interior walls and interior cabinetry were also resurfaced in reclaimed barn wood. Behind a sheet of glass, the same reclaimed wood lines the shower surround and one feels as though they are showering outdoors. The clients now have a quiet escape from city life.
The frequent turnover within a vacation community can be wasteful. Some are eager to tear down what exists and start new. This project preserved the skeleton of the house and the history in the patinaed materials that the client desired. Conventional materials were utilized in new ways to unify the old and the new.
Robins Way
Lot size: 1.5 acres
Building size: 2,000 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Brian Mannix
Interior Designer: Athena Calderone
The clients, an interior designer and a DJ, requested a complete renovation and addition of a 1960’s kit house in Amagansett, NY to be a weekend retreat from their urban apartment. The clients gathered images of objects and conventional materials utilized in new, interesting ways as inspiration for the design. A single design solution that could unify the old remaining parts of the house to the new intervention was sought. This solution should solve acoustical, lighting, equipment coordination and simultaneously address the aesthetic décor requirements of the client’s collection of objects. A vocabulary was developed that allowed the patina and history that the client favored to remain and new experiences to evolve.
The house was gutted and reduced down to the skeletal framework allowing the intervention to utilize the post and beam construction that remained. Between the existing ceiling joists, natural rope was woven through a digitally fabricated framework. Weaving patterns were used to signify different ceiling conditions. Lighting penetrates through a crossed weave of the rope. It transitions to a straight weave to shield speakers and utilities from view. Since the client is a DJ, sound is very important. The rope weave
acts as an acoustic baffle absorbing background noise, but allows music from the ceiling mounted speakers to be emitted.
To integrate with the décor, the rope was used structurally to support several items such as a large, custom steel framed mirror in the Master Bathroom and the Dining Room Chandelier. A large sliding door is woven with the same rope to provide privacy from the neighbors and shield the sun at various times of the day. The sunlight rakes through the openings casting linear shadows on the bathroom floor.
Unifying the exterior is a dark stained cedar siding that wraps all of the exterior facades and transitions to the matching frames of the replaced windows and doors. The newly constructed interior walls and interior cabinetry were also resurfaced in reclaimed barn wood. Behind a sheet of glass, the same reclaimed wood lines the shower surround and one feels as though they are showering outdoors. The clients now have a quiet escape from city life.
The frequent turnover within a vacation community can be wasteful. Some are eager to tear down what exists and start new. This project preserved the skeleton of the house and the history in the patinaed materials that the client desired. Conventional materials were utilized in new ways to unify the old and the new.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Tessa
Size: 3,250 sq. ft.
Location: New York, NY
Program: Restaurant
Project Narrative Forthcoming
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
