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into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.

The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.

Montauk building typology of the low-pitched gabled roof is modified by the geometries of the allowable building envelope and height restrictions of the site. The ridge is offset and the walls converge, directing one’s view west to the lake. The optical illusion caused by the parabolic roof is visible on the South side and entices a second look, as do numerous other details.

Architectural details throughout the house occur at unexpected moments. A wood screen covered bridge unifies the two shingle clad volumes, allowing light into the grass paver courtyard below. The cedar screen of the bridge reads differently from day to night. It appears flat during the day, but, as darkness falls, light seeps out in an undulating pattern showing the wedge shape cut in the back of the boards. In front of clerestory windows, a milled bluestone screen is similarly detailed. The stone appears weightless as alternating stones are removed from the pattern to let light into the guest area. These unexpected details reinforce the larger idea of capturing the unexpected.

There is no prescribed path of circulation, encouraging different encounters much like the social experiences of Montauk. One can enter beneath the bridge and up terraced planter steps revealing the rolling hills and ocean in the distance. One can also climb the exterior entry stair that mirrors the interior stair, separated by a wall of glass. One can choose to enter into the house or continue to the outdoor fireplace, dining area, and out to the pool. The exploration resulting from unique circulation yields a different memorable experience for everyone.

Montauk building typology of the low-pitched gabled roof is modified by the geometries of the allowable building envelope and height restrictions of the site. The ridge is offset and the walls converge, directing one’s view west to the lake. The optical illusion caused by the parabolic roof is visible on the South side and entices a second look, as do numerous other details.

Architectural details throughout the house occur at unexpected moments. A wood screen covered bridge unifies the two shingle clad volumes, allowing light into the grass paver courtyard below. The cedar screen of the bridge reads differently from day to night. It appears flat during the day, but, as darkness falls, light seeps out in an undulating pattern showing the wedge shape cut in the back of the boards. In front of clerestory windows, a milled bluestone screen is similarly detailed. The stone appears weightless as alternating stones are removed from the pattern to let light into the guest area. These unexpected details reinforce the larger idea of capturing the unexpected.

There is no prescribed path of circulation, encouraging different encounters much like the social experiences of Montauk. One can enter beneath the bridge and up terraced planter steps revealing the rolling hills and ocean in the distance. One can also climb the exterior entry stair that mirrors the interior stair, separated by a wall of glass. One can choose to enter into the house or continue to the outdoor fireplace, dining area, and out to the pool. The exploration resulting from unique circulation yields a different memorable experience for everyone.

Montauk building typology of the low-pitched gabled roof is modified by the geometries of the allowable building envelope and height restrictions of the site. The ridge is offset and the walls converge, directing one’s view west to the lake. The optical illusion caused by the parabolic roof is visible on the South side and entices a second look, as do numerous other details.

Architectural details throughout the house occur at unexpected moments. A wood screen covered bridge unifies the two shingle clad volumes, allowing light into the grass paver courtyard below. The cedar screen of the bridge reads differently from day to night. It appears flat during the day, but, as darkness falls, light seeps out in an undulating pattern showing the wedge shape cut in the back of the boards. In front of clerestory windows, a milled bluestone screen is similarly detailed. The stone appears weightless as alternating stones are removed from the pattern to let light into the guest area. These unexpected details reinforce the larger idea of capturing the unexpected.

There is no prescribed path of circulation, encouraging different encounters much like the social experiences of Montauk. One can enter beneath the bridge and up terraced planter steps revealing the rolling hills and ocean in the distance. One can also climb the exterior entry stair that mirrors the interior stair, separated by a wall of glass. One can choose to enter into the house or continue to the outdoor fireplace, dining area, and out to the pool. The exploration resulting from unique circulation yields a different memorable experience for everyone.

Montauk building typology of the low-pitched gabled roof is modified by the geometries of the allowable building envelope and height restrictions of the site. The ridge is offset and the walls converge, directing one’s view west to the lake. The optical illusion caused by the parabolic roof is visible on the South side and entices a second look, as do numerous other details.

Architectural details throughout the house occur at unexpected moments. A wood screen covered bridge unifies the two shingle clad volumes, allowing light into the grass paver courtyard below. The cedar screen of the bridge reads differently from day to night. It appears flat during the day, but, as darkness falls, light seeps out in an undulating pattern showing the wedge shape cut in the back of the boards. In front of clerestory windows, a milled bluestone screen is similarly detailed. The stone appears weightless as alternating stones are removed from the pattern to let light into the guest area. These unexpected details reinforce the larger idea of capturing the unexpected.

There is no prescribed path of circulation, encouraging different encounters much like the social experiences of Montauk. One can enter beneath the bridge and up terraced planter steps revealing the rolling hills and ocean in the distance. One can also climb the exterior entry stair that mirrors the interior stair, separated by a wall of glass. One can choose to enter into the house or continue to the outdoor fireplace, dining area, and out to the pool. The exploration resulting from unique circulation yields a different memorable experience for everyone.

Montauk building typology of the low-pitched gabled roof is modified by the geometries of the allowable building envelope and height restrictions of the site. The ridge is offset and the walls converge, directing one’s view west to the lake. The optical illusion caused by the parabolic roof is visible on the South side and entices a second look, as do numerous other details.

Architectural details throughout the house occur at unexpected moments. A wood screen covered bridge unifies the two shingle clad volumes, allowing light into the grass paver courtyard below. The cedar screen of the bridge reads differently from day to night. It appears flat during the day, but, as darkness falls, light seeps out in an undulating pattern showing the wedge shape cut in the back of the boards. In front of clerestory windows, a milled bluestone screen is similarly detailed. The stone appears weightless as alternating stones are removed from the pattern to let light into the guest area. These unexpected details reinforce the larger idea of capturing the unexpected.

There is no prescribed path of circulation, encouraging different encounters much like the social experiences of Montauk. One can enter beneath the bridge and up terraced planter steps revealing the rolling hills and ocean in the distance. One can also climb the exterior entry stair that mirrors the interior stair, separated by a wall of glass. One can choose to enter into the house or continue to the outdoor fireplace, dining area, and out to the pool. The exploration resulting from unique circulation yields a different memorable experience for everyone.

Windows throughout the house are carefully placed to provide the maximum daylight and water views while maintaining privacy from the nearby neighbors and street. The siding system is manipulated for varying degrees of privacy as well. Comprised of Skatelite, a natural resin panel typically used in skateboard ramps, the siding is water-jet cut with tight joints in areas demanding privacy and loosely spaced in other areas to admit light and air. The texture and color of the siding, in keeping with the budget of the house, reference a black box theatre.

In the end, a house that could have been limited by its small site and budget was elevated by its conception as a stage for memorable experiences.

Windows throughout the house are carefully placed to provide the maximum daylight and water views while maintaining privacy from the nearby neighbors and street. The siding system is manipulated for varying degrees of privacy as well. Comprised of Skatelite, a natural resin panel typically used in skateboard ramps, the siding is water-jet cut with tight joints in areas demanding privacy and loosely spaced in other areas to admit light and air. The texture and color of the siding, in keeping with the budget of the house, reference a black box theatre.

In the end, a house that could have been limited by its small site and budget was elevated by its conception as a stage for memorable experiences.

acts as an acoustic baffle absorbing background noise, but allows music from the ceiling mounted speakers to be emitted.

To integrate with the décor, the rope was used structurally to support several items such as a large, custom steel framed mirror in the Master Bathroom and the Dining Room Chandelier. A large sliding door is woven with the same rope to provide privacy from the neighbors and shield the sun at various times of the day. The sunlight rakes through the openings casting linear shadows on the bathroom floor.

Unifying the exterior is a dark stained cedar siding that wraps all of the exterior facades and transitions to the matching frames of the replaced windows and doors. The newly constructed interior walls and interior cabinetry were also resurfaced in reclaimed barn wood. Behind a sheet of glass, the same reclaimed wood lines the shower surround and one feels as though they are showering outdoors. The clients now have a quiet escape from city life.

The frequent turnover within a vacation community can be wasteful. Some are eager to tear down what exists and start new. This project preserved the skeleton of the house and the history in the patinaed materials that the client desired. Conventional materials were utilized in new ways to unify the old and the new.

acts as an acoustic baffle absorbing background noise, but allows music from the ceiling mounted speakers to be emitted.

To integrate with the décor, the rope was used structurally to support several items such as a large, custom steel framed mirror in the Master Bathroom and the Dining Room Chandelier. A large sliding door is woven with the same rope to provide privacy from the neighbors and shield the sun at various times of the day. The sunlight rakes through the openings casting linear shadows on the bathroom floor.

Unifying the exterior is a dark stained cedar siding that wraps all of the exterior facades and transitions to the matching frames of the replaced windows and doors. The newly constructed interior walls and interior cabinetry were also resurfaced in reclaimed barn wood. Behind a sheet of glass, the same reclaimed wood lines the shower surround and one feels as though they are showering outdoors. The clients now have a quiet escape from city life.

The frequent turnover within a vacation community can be wasteful. Some are eager to tear down what exists and start new. This project preserved the skeleton of the house and the history in the patinaed materials that the client desired. Conventional materials were utilized in new ways to unify the old and the new.

The design of this 1200 sq. ft. residence for a writer was a study in adaptability and re-use. The client was looking to simplify her life and downsize from an earlier house done by this firm. The new house would be built just west of her existing house on the adjacent property. She voiced the desire for her new house to be functional, light, informal, simple and maintain a view of a large moss covered rock on the site.

The house was designed to be both spatially and economically efficient by coordinating the assembly of pre-manufactured components researched over the Internet. It is essentially one large room with ancillary spaces that feed off it. The structure is an adjustable cantilevering rack system used in lumberyards. It is comprised of standard steel sizes with an assortment of brackets and arms that can be specified for any type of load or application. Bolted connections secure the steel arms and brackets to the steel columns. From these appendages cabinetry is hung, a fireplace mantel is suspended and handrails are applied. They also support the mahogany bookshelves and the walkway around the perimeter of the library.

Prefabricated concrete foundation walls, formaldehyde free water-resistant fiber board, rough sawn okoume wood, aluminum windows, dyed concrete wall panels, pre-assembled wood screens, cabinets from IKEA and gabion retaining walls are the other elements that come together to form the house.

Nothing in the house is excessive. Only what is needed is what has been provided for. The house’s ability to be adapted and retrofitted, expanded or reduced allows for a multiplicity of uses and to do so without waste is implicit in the design.

The design of this 1200 sq. ft. residence for a writer was a study in adaptability and re-use. The client was looking to simplify her life and downsize from an earlier house done by this firm. The new house would be built just west of her existing house on the adjacent property. She voiced the desire for her new house to be functional, light, informal, simple and maintain a view of a large moss covered rock on the site.

The house was designed to be both spatially and economically efficient by coordinating the assembly of pre-manufactured components researched over the Internet. It is essentially one large room with ancillary spaces that feed off it. The structure is an adjustable cantilevering rack system used in lumberyards. It is comprised of standard steel sizes with an assortment of brackets and arms that can be specified for any type of load or application. Bolted connections secure the steel arms and brackets to the steel columns. From these appendages cabinetry is hung, a fireplace mantel is suspended and handrails are applied. They also support the mahogany bookshelves and the walkway around the perimeter of the library.

Prefabricated concrete foundation walls, formaldehyde free water-resistant fiber board, rough sawn okoume wood, aluminum windows, dyed concrete wall panels, pre-assembled wood screens, cabinets from IKEA and gabion retaining walls are the other elements that come together to form the house.

Nothing in the house is excessive. Only what is needed is what has been provided for. The house’s ability to be adapted and retrofitted, expanded or reduced allows for a multiplicity of uses and to do so without waste is implicit in the design.

plane of sea grasses: a rippling effect visibly renders forces and movement typically perceived only through touch as breezes pass over the skin. How could a similar effect take place as a responsive element integral with the architecture? A material is fabricated of loose screening with fishing lures fastened into each opening. This screen partially clads three façades; the lures shimmer as blades of glass, acting as a sort-of barometer that registers changes in wind speed and direction as they occur in real-time. Thus, in addition to engaging the design with its landscape, these walls also act as an essential instrument for the avid windsurfer. As the lures jingle back and forth on their hinges they alternately admit and deny direct southern sunlight into the living room interior, generating flashes of light and patterned shadows across the floor that alert the occupants to optimal surfing conditions.

An attention to materiality that began with the wind-responsive wall continues throughout the house’s exterior development. By layering the wind wall, concrete composite panels, a fenestration system, and a handrail system beyond and behind a basic volume clad in flush wood siding, the sides of an otherwise uninspired box are revealed on edge, lending an elegant thinness to the overall composition.

Through the simple manipulation of materials, in both their detailing and general application, a compact, highly efficient plan is seamlessly reconciled with its undersized lot and tied to the greater environment.

plane of sea grasses: a rippling effect visibly renders forces and movement typically perceived only through touch as breezes pass over the skin. How could a similar effect take place as a responsive element integral with the architecture? A material is fabricated of loose screening with fishing lures fastened into each opening. This screen partially clads three façades; the lures shimmer as blades of glass, acting as a sort-of barometer that registers changes in wind speed and direction as they occur in real-time. Thus, in addition to engaging the design with its landscape, these walls also act as an essential instrument for the avid windsurfer. As the lures jingle back and forth on their hinges they alternately admit and deny direct southern sunlight into the living room interior, generating flashes of light and patterned shadows across the floor that alert the occupants to optimal surfing conditions.

An attention to materiality that began with the wind-responsive wall continues throughout the house’s exterior development. By layering the wind wall, concrete composite panels, a fenestration system, and a handrail system beyond and behind a basic volume clad in flush wood siding, the sides of an otherwise uninspired box are revealed on edge, lending an elegant thinness to the overall composition.

Through the simple manipulation of materials, in both their detailing and general application, a compact, highly efficient plan is seamlessly reconciled with its undersized lot and tied to the greater environment.

plane of sea grasses: a rippling effect visibly renders forces and movement typically perceived only through touch as breezes pass over the skin. How could a similar effect take place as a responsive element integral with the architecture? A material is fabricated of loose screening with fishing lures fastened into each opening. This screen partially clads three façades; the lures shimmer as blades of glass, acting as a sort-of barometer that registers changes in wind speed and direction as they occur in real-time. Thus, in addition to engaging the design with its landscape, these walls also act as an essential instrument for the avid windsurfer. As the lures jingle back and forth on their hinges they alternately admit and deny direct southern sunlight into the living room interior, generating flashes of light and patterned shadows across the floor that alert the occupants to optimal surfing conditions.

An attention to materiality that began with the wind-responsive wall continues throughout the house’s exterior development. By layering the wind wall, concrete composite panels, a fenestration system, and a handrail system beyond and behind a basic volume clad in flush wood siding, the sides of an otherwise uninspired box are revealed on edge, lending an elegant thinness to the overall composition.

Through the simple manipulation of materials, in both their detailing and general application, a compact, highly efficient plan is seamlessly reconciled with its undersized lot and tied to the greater environment.

bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.

Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool. As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek. The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller's work. In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.

bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.

Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool. As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek. The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller's work. In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.

Salt Cay is to become a unique resort that provides its guests with unmatched privacy, service, intelligent luxury, and unique experiences. It will achieve this not in spite of, but because of its sensitivity to the history, ecology, vernacular traditions, and natural beauty of the island. The architecture of the resort will be a backdrop that enhances the already unique experiences available on Salt Cay. The design is a singular idea that fulfills all of the resort’s goals. It enhances the sense of place, provides unsurpassed privacy, creates unique and therefore profound experiences, respects the environment, and does so with an economy of materials and resources.

bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.

Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool. As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek. The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller's work. In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.

plane of sea grasses: a rippling effect visibly renders forces and movement typically perceived only through touch as breezes pass over the skin. How could a similar effect take place as a responsive element integral with the architecture? A material is fabricated of loose screening with fishing lures fastened into each opening. This screen partially clads three façades; the lures shimmer as blades of glass, acting as a sort-of barometer that registers changes in wind speed and direction as they occur in real-time. Thus, in addition to engaging the design with its landscape, these walls also act as an essential instrument for the avid windsurfer. As the lures jingle back and forth on their hinges they alternately admit and deny direct southern sunlight into the living room interior, generating flashes of light and patterned shadows across the floor that alert the occupants to optimal surfing conditions.

An attention to materiality that began with the wind-responsive wall continues throughout the house’s exterior development. By layering the wind wall, concrete composite panels, a fenestration system, and a handrail system beyond and behind a basic volume clad in flush wood siding, the sides of an otherwise uninspired box are revealed on edge, lending an elegant thinness to the overall composition.

Through the simple manipulation of materials, in both their detailing and general application, a compact, highly efficient plan is seamlessly reconciled with its undersized lot and tied to the greater environment.

plane of sea grasses: a rippling effect visibly renders forces and movement typically perceived only through touch as breezes pass over the skin. How could a similar effect take place as a responsive element integral with the architecture? A material is fabricated of loose screening with fishing lures fastened into each opening. This screen partially clads three façades; the lures shimmer as blades of glass, acting as a sort-of barometer that registers changes in wind speed and direction as they occur in real-time. Thus, in addition to engaging the design with its landscape, these walls also act as an essential instrument for the avid windsurfer. As the lures jingle back and forth on their hinges they alternately admit and deny direct southern sunlight into the living room interior, generating flashes of light and patterned shadows across the floor that alert the occupants to optimal surfing conditions.

An attention to materiality that began with the wind-responsive wall continues throughout the house’s exterior development. By layering the wind wall, concrete composite panels, a fenestration system, and a handrail system beyond and behind a basic volume clad in flush wood siding, the sides of an otherwise uninspired box are revealed on edge, lending an elegant thinness to the overall composition.

Through the simple manipulation of materials, in both their detailing and general application, a compact, highly efficient plan is seamlessly reconciled with its undersized lot and tied to the greater environment.

plane of sea grasses: a rippling effect visibly renders forces and movement typically perceived only through touch as breezes pass over the skin. How could a similar effect take place as a responsive element integral with the architecture? A material is fabricated of loose screening with fishing lures fastened into each opening. This screen partially clads three façades; the lures shimmer as blades of glass, acting as a sort-of barometer that registers changes in wind speed and direction as they occur in real-time. Thus, in addition to engaging the design with its landscape, these walls also act as an essential instrument for the avid windsurfer. As the lures jingle back and forth on their hinges they alternately admit and deny direct southern sunlight into the living room interior, generating flashes of light and patterned shadows across the floor that alert the occupants to optimal surfing conditions.

An attention to materiality that began with the wind-responsive wall continues throughout the house’s exterior development. By layering the wind wall, concrete composite panels, a fenestration system, and a handrail system beyond and behind a basic volume clad in flush wood siding, the sides of an otherwise uninspired box are revealed on edge, lending an elegant thinness to the overall composition.

Through the simple manipulation of materials, in both their detailing and general application, a compact, highly efficient plan is seamlessly reconciled with its undersized lot and tied to the greater environment.

bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.

Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool. As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek. The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller's work. In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.

bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.

Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool. As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek. The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller's work. In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.

bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.

Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool. As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek. The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller's work. In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.

bordering the creek. A conservation easement on the property protects the two Geller structures, Yew garden and iris, while allowing for the addition of a new main house. The owners requested a design that would unify these disparate elements. To achieve this, a constructed path traverses the site to link visual and spatial relationships between the elements. The path takes the form of a raised, wooden surface that recalls the boardwalks of Geller’s architecture.

Building and wetland setbacks, existing landscape features, site access, and conservation easement restrictions overlap to create the parameters of the meandering path. The path originates from the relocated Geller House in the Yew garden and winds around the serpentine hedge to a new swimming pool. As the path continues it passes the Geller Studio, now reprogrammed as a pool house, and connects to shaded outdoor living spaces. A new central lawn is defined as the boardwalk turns to extend through the main house. A cantilevered deck wraps the end of the main house at the termination of the path, providing views of the wetland and creek. The surface of the path folds up and over to become the enclosure of the main house, simultaneously functioning as floor, wall, and roof. All surfaces of this enclosure are constructed with the same wood decking as the boardwalk. Their uniformity gives the effect of a single envelope containing a variety of parts and reflects the influence of design in Geller's work. In these ways the physical, material, and spatial qualities of the path facilitate an architectural dialogue between the Geller structures and new house that is interwoven with the existing landscape, collecting the once individual elements into a unified whole.

Project Narrative Forthcoming

Project Narrative Forthcoming

Project Narrative Forthcoming

Project Narrative Forthcoming

Project Narrative Forthcoming

Project Narrative Forthcoming

Project Narrative Forthcoming

hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.

The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.

Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.

hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.

The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.

Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.

hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.

The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.

Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.

hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.

The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.

Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.

Project Narrative Forthcoming

hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.

The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.

Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.

To accommodate the extensive program spaces are nested within one another. Operable partitions pull out from the walls of the living room, carving out a media room within the living room when privacy is desired. Conversely, with the partitions open, the media room merges with the living room for large gatherings. The thickness of the wall separating the dining room and kitchen is also cut away, utilizing its depth to accommodate a wine rack that also functions as a light fixture.

The process of carving is applied at the material and detail level as well. The 5/8” corten steel plate that clads the base of the house is waterjet cut into a delicate pattern that defies its mass. Inside, corian is employed for the ease with which it can be milled. Corian countertops are cut to form towel bars, bunk bed frames are carved to create ladders, cabinet doors are recessed to form handles, and wainscoting is subtly etched with meaningful words chosen by the clients.

Materials were chosen not only for their workability, but also for their durability in the coastal environment. Corten steel siding is zero maintenance despite being relentlessly sandblasted by the wind. Cedar siding and screens are finished using a Victorian technique in which the iron sulfate in a blend of white vinegar and iron filings reacts with the tannins in wood, creating an ebony finish that penetrates through the material and will not require refinishing. The lack of harsh stains or finishes reduces the ecological footprint of the house. Geothermal heating and cooling as well as vegetated roofs further reduce the environmental impact.

Using the design approach of sculpting away rather than building up, the house is pared down until the experience of the extraordinary site is dominant.

Project Narrative Forthcoming

Project Narrative Forthcoming

Project Narrative Forthcoming