Search Terms
Contact
138 Main Street
Apple Bank Building
Second Floor
Sag Harbor, NY 11963
(use for courier delivery)
P.O Box 510
Sag Harbor, NY 11963
(use for USPS delivery)
T 631.725.0229
F 631.725.0230
Profile
Bates Masi + Architects LLC, a full-service architectural firm with roots in New York City and the East End of Long Island for over 45 years, responds to each project with extensive research in related architectural fields, material, craft and environment for unique solutions as varied as the individuals or groups for whom they are designed. The focus is neither the size nor the type of project but the opportunity to enrich lives and enhance the environment. The attention to all elements of design has been a constant in the firm’s philosophy. Projects include urban and suburban residences, schools, offices, hotels, restaurants, retail and furniture in the United States, Central America and the Caribbean. The firm has received 43 design awards since 2003 and has been featured in national and international publications including The New York Times, New York Magazine, Architectural Digest, Architectural Record, Metropolitan Home, and Dwell. Residential Architect Magazine selected Bates Masi one of their 50 Architect’s We Love. A gallery exhibition in May 2010 featured the firm’s earlier work from 1960-70.
Paul Masi spent childhood summers in Montauk and currently resides in Amagansett. He received a Bachelor of Architecture from Catholic University and a Masters of Architecture from the Graduate School of Design at Harvard University. He worked at Richard Meier & Partners before joining this firm in 1998.
Harry Bates, a resident of East Hampton, received a Bachelor of Architecture from North Carolina State University. After ten years with Skidmore, Owings & Merrill, he was in private practice in New York City for 17 years before moving the firm to Southampton on the East End in 1980. Our offices are currently located in Sag Harbor with plans to relocate to a new LEED Certified office building of our own design in East Hampton.























Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Northwest Peach Farm
Lot size: 10 acres
Building size: 7000 sq. ft.
Location: East Hampton, NY
Program: Single Family Residence
Photographer: Michael Moran
Landscape Architect: Coen + Partners
This residence is primarily used when the clients’ extended family comes from England for long visits. They come to relax and to reconnect with their family and with nature, away from city crowds and traffic, at a retreat they neither want nor need to leave for a month. The design objective was to make every day of that month unique by providing a range of destinations within the site with diverse scales, functions, and views: from gathering in the expansive living room overlooking the fields of the former peach orchard to reading alone on a shaded bench between the library and the edge of the forest. Multiple paths and hallways connect each destination, further increasing variety. Finally, each detail and custom furnishing is designed to make mundane rituals into thoughtful events.
For example, in the kitchen, rolling cutting boards ride in tracks down the long island, turning meal preparation into an assembly line for everyone’s participation. Those not cooking can make a selection from the wine room where the bottles cast a pattern of shadows through a glazed wall into the main entrance. The dining table can be configured for the evening: stainless steel tubes running the length of the table can be rotated to reveal candleholders, flower
vase holders, or flat surfaces for hot dishes. At other times, the tubes can be removed and the trough filled with ice for chilling drinks. For a change of pace, there is dining on the roof deck at sunset, barbequing on the terrace, lunch in the shade of the pool house canopy, or breakfast in the screened porch. Each space is unique, making each meal special.
Even the morning routine becomes an event. In the kids’ rooms, a ribbon of stone traces their morning ritual. Starting as a nightstand by the bed, it becomes a bench for their pile of clothes, a desk for checking their email, a sink in the bathroom, and, finally, the shower floor. In the parents’ master closet, hidden steel hooks pivot up from the mahogany bench to hang the day’s outfit choices.
The clients wanted this to be a gathering place for their family, full of memories for generations to come. Thus the materials were chosen not only for durability but also for their gradual changes over many years. The copper siding and roofing will slowly turn green as the weathering limestone becomes darker. However, the window system will stand the test of time unchanged. An English company has manufactured the same industrial steel windows for over 150 years and many early examples are still in tact. A geothermal heating and cooling system, green roofs, organic finishes, and triple glazed windows will minimize the structure’s environmental impact over the generations.
The clients look forward to many tranquil summers together with their family in the house.
Re-cover
Lot size: 0.5 acres
Building size: 1,500 sq. ft.
Location: Amagansett, New York
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: Paul Cassidy
Thirty-five years after the firm originally designed this vacation residence, its new owners sought to rejuvenate the house while preserving its spaces, seasoned tones, and texture. Clad inside and out almost entirely in twelve-inch wide cypress boards, the original house exuded a straightforward simplicity the owners wished to maintain. By constraining the palette of materials and reusing salvaged parts of the existing house, the line between new and old becomes nearly imperceptible, limited only to minimal inflections in finish.
In the enlarged and updated baths, and in the modernized kitchen and dining terrace, a dense glacial sedimentary sandstone is used for its fine workability into a variety of finishes. In this way the stone varies subtly – only in texture – as it is reapplied from one surface to another: horizontal walking surfaces are rendered with a smooth honed finish, vertical wall surfaces with a rough flamed finish, and countertops in a glossy polished finish. This tactile language is traced consistently from room to room.
Little of the material seen in the addition is in fact new. As the south wall and deck of the house were dismantled to make room for the new construction, the cypress boards and cedar decking were carefully
salvaged and machined into new siding, fine scrim material, stair treads and risers. Reused, this cladding bears precisely the same patina as the other surfaces in the house – an effect truly impossible to achieve with new construction materials. Only on close inspection is new texture and color revealed at the boards’ freshly cut edges.
In enhancing the simplicity of the original design, a subtle complexity has emerged. Splices, cuts, and finishing techniques inflect upon otherwise homogenous materials, recording the methods of craft and workmanship. Over the next thirty-five years the patina that naturally accrues over time will continue refine the delicacy of these inflections.
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Beach Hampton
Lot size: .275 acres
Building size: 600 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
Sagaponack
Lot size: 2 acres
Building size: 8965 sq. ft.
Location: Sagaponack, NY
Program: Single Family Residence
Photographer: Michael Moran
Contractor: Wright & Co. Construction
Interior Designer: Bates Masi Architects
Landscape Architect: Stephen Stimson
Located between the Atlantic Ocean and a freshwater pond, this residence is for an adventurous couple and their four sons. They wanted a house for their large family and numerous guests with a lawn, swimming pool, pool house, garage, and sports courts on a site with a limited building envelope due to coastal and wetland zoning. The large program, relatively small footprint, and daunting regulations dictated a building envelope densely packed with program that stood as a barrier between the ocean and the pond. Thus the design process was one of subtraction rather than addition: carving away at the solid mass of the house to reconnect site features and views and to distill the experience of the place.
Spaces run the full width of the house with floor to ceiling sliding doors on both sides. The spaces create apertures through which views, light, and air completely penetrate the house, dissolving its mass. Passersby see directly through the house to the sky and landscape beyond. With the sliding doors open and recessed into the adjacent walls, interior spaces are transformed from formal rooms to open pavilions, merging seamlessly with the site.
To accommodate the extensive program spaces are nested within one another. Operable partitions pull out from the walls of the living room, carving out a media room within the living room when privacy is desired. Conversely, with the partitions open, the media room merges with the living room for large gatherings. The thickness of the wall separating the dining room and kitchen is also cut away, utilizing its depth to accommodate a wine rack that also functions as a light fixture.
The process of carving is applied at the material and detail level as well. The 5/8” corten steel plate that clads the base of the house is waterjet cut into a delicate pattern that defies its mass. Inside, corian is employed for the ease with which it can be milled. Corian countertops are cut to form towel bars, bunk bed frames are carved to create ladders, cabinet doors are recessed to form handles, and wainscoting is subtly etched with meaningful words chosen by the clients.
Materials were chosen not only for their workability, but also for their durability in the coastal environment. Corten steel siding is zero maintenance despite being relentlessly sandblasted by the wind. Cedar siding and screens are finished using a Victorian technique in which the iron sulfate in a blend of white vinegar and iron filings reacts with the tannins in wood, creating an ebony finish that penetrates through the material and will not require refinishing. The lack of harsh stains or finishes reduces the ecological footprint of the house. Geothermal heating and cooling as well as vegetated roofs further reduce the environmental impact.
Using the design approach of sculpting away rather than building up, the house is pared down until the experience of the extraordinary site is dominant.
Sagaponack
Lot size: 2 acres
Building size: 8965 sq. ft.
Location: Sagaponack, NY
Program: Single Family Residence
Photographer: Michael Moran
Contractor: Wright & Co. Construction
Interior Designer: Bates Masi Architects
Landscape Architect: Stephen Stimson
Located between the Atlantic Ocean and a freshwater pond, this residence is for an adventurous couple and their four sons. They wanted a house for their large family and numerous guests with a lawn, swimming pool, pool house, garage, and sports courts on a site with a limited building envelope due to coastal and wetland zoning. The large program, relatively small footprint, and daunting regulations dictated a building envelope densely packed with program that stood as a barrier between the ocean and the pond. Thus the design process was one of subtraction rather than addition: carving away at the solid mass of the house to reconnect site features and views and to distill the experience of the place.
Spaces run the full width of the house with floor to ceiling sliding doors on both sides. The spaces create apertures through which views, light, and air completely penetrate the house, dissolving its mass. Passersby see directly through the house to the sky and landscape beyond. With the sliding doors open and recessed into the adjacent walls, interior spaces are transformed from formal rooms to open pavilions, merging seamlessly with the site.
To accommodate the extensive program spaces are nested within one another. Operable partitions pull out from the walls of the living room, carving out a media room within the living room when privacy is desired. Conversely, with the partitions open, the media room merges with the living room for large gatherings. The thickness of the wall separating the dining room and kitchen is also cut away, utilizing its depth to accommodate a wine rack that also functions as a light fixture.
The process of carving is applied at the material and detail level as well. The 5/8” corten steel plate that clads the base of the house is waterjet cut into a delicate pattern that defies its mass. Inside, corian is employed for the ease with which it can be milled. Corian countertops are cut to form towel bars, bunk bed frames are carved to create ladders, cabinet doors are recessed to form handles, and wainscoting is subtly etched with meaningful words chosen by the clients.
Materials were chosen not only for their workability, but also for their durability in the coastal environment. Corten steel siding is zero maintenance despite being relentlessly sandblasted by the wind. Cedar siding and screens are finished using a Victorian technique in which the iron sulfate in a blend of white vinegar and iron filings reacts with the tannins in wood, creating an ebony finish that penetrates through the material and will not require refinishing. The lack of harsh stains or finishes reduces the ecological footprint of the house. Geothermal heating and cooling as well as vegetated roofs further reduce the environmental impact.
Using the design approach of sculpting away rather than building up, the house is pared down until the experience of the extraordinary site is dominant.
Sagaponack
Lot size: 2 acres
Building size: 8965 sq. ft.
Location: Sagaponack, NY
Program: Single Family Residence
Photographer: Michael Moran
Contractor: Wright & Co. Construction
Interior Designer: Bates Masi Architects
Landscape Architect: Stephen Stimson
Located between the Atlantic Ocean and a freshwater pond, this residence is for an adventurous couple and their four sons. They wanted a house for their large family and numerous guests with a lawn, swimming pool, pool house, garage, and sports courts on a site with a limited building envelope due to coastal and wetland zoning. The large program, relatively small footprint, and daunting regulations dictated a building envelope densely packed with program that stood as a barrier between the ocean and the pond. Thus the design process was one of subtraction rather than addition: carving away at the solid mass of the house to reconnect site features and views and to distill the experience of the place.
Spaces run the full width of the house with floor to ceiling sliding doors on both sides. The spaces create apertures through which views, light, and air completely penetrate the house, dissolving its mass. Passersby see directly through the house to the sky and landscape beyond. With the sliding doors open and recessed into the adjacent walls, interior spaces are transformed from formal rooms to open pavilions, merging seamlessly with the site.
To accommodate the extensive program spaces are nested within one another. Operable partitions pull out from the walls of the living room, carving out a media room within the living room when privacy is desired. Conversely, with the partitions open, the media room merges with the living room for large gatherings. The thickness of the wall separating the dining room and kitchen is also cut away, utilizing its depth to accommodate a wine rack that also functions as a light fixture.
The process of carving is applied at the material and detail level as well. The 5/8” corten steel plate that clads the base of the house is waterjet cut into a delicate pattern that defies its mass. Inside, corian is employed for the ease with which it can be milled. Corian countertops are cut to form towel bars, bunk bed frames are carved to create ladders, cabinet doors are recessed to form handles, and wainscoting is subtly etched with meaningful words chosen by the clients.
Materials were chosen not only for their workability, but also for their durability in the coastal environment. Corten steel siding is zero maintenance despite being relentlessly sandblasted by the wind. Cedar siding and screens are finished using a Victorian technique in which the iron sulfate in a blend of white vinegar and iron filings reacts with the tannins in wood, creating an ebony finish that penetrates through the material and will not require refinishing. The lack of harsh stains or finishes reduces the ecological footprint of the house. Geothermal heating and cooling as well as vegetated roofs further reduce the environmental impact.
Using the design approach of sculpting away rather than building up, the house is pared down until the experience of the extraordinary site is dominant.
Sagaponack
Lot size: 2 acres
Building size: 8965 sq. ft.
Location: Sagaponack, NY
Program: Single Family Residence
Photographer: Michael Moran
Contractor: Wright & Co. Construction
Interior Designer: Bates Masi Architects
Landscape Architect: Stephen Stimson
Located between the Atlantic Ocean and a freshwater pond, this residence is for an adventurous couple and their four sons. They wanted a house for their large family and numerous guests with a lawn, swimming pool, pool house, garage, and sports courts on a site with a limited building envelope due to coastal and wetland zoning. The large program, relatively small footprint, and daunting regulations dictated a building envelope densely packed with program that stood as a barrier between the ocean and the pond. Thus the design process was one of subtraction rather than addition: carving away at the solid mass of the house to reconnect site features and views and to distill the experience of the place.
Spaces run the full width of the house with floor to ceiling sliding doors on both sides. The spaces create apertures through which views, light, and air completely penetrate the house, dissolving its mass. Passersby see directly through the house to the sky and landscape beyond. With the sliding doors open and recessed into the adjacent walls, interior spaces are transformed from formal rooms to open pavilions, merging seamlessly with the site.
To accommodate the extensive program spaces are nested within one another. Operable partitions pull out from the walls of the living room, carving out a media room within the living room when privacy is desired. Conversely, with the partitions open, the media room merges with the living room for large gatherings. The thickness of the wall separating the dining room and kitchen is also cut away, utilizing its depth to accommodate a wine rack that also functions as a light fixture.
The process of carving is applied at the material and detail level as well. The 5/8” corten steel plate that clads the base of the house is waterjet cut into a delicate pattern that defies its mass. Inside, corian is employed for the ease with which it can be milled. Corian countertops are cut to form towel bars, bunk bed frames are carved to create ladders, cabinet doors are recessed to form handles, and wainscoting is subtly etched with meaningful words chosen by the clients.
Materials were chosen not only for their workability, but also for their durability in the coastal environment. Corten steel siding is zero maintenance despite being relentlessly sandblasted by the wind. Cedar siding and screens are finished using a Victorian technique in which the iron sulfate in a blend of white vinegar and iron filings reacts with the tannins in wood, creating an ebony finish that penetrates through the material and will not require refinishing. The lack of harsh stains or finishes reduces the ecological footprint of the house. Geothermal heating and cooling as well as vegetated roofs further reduce the environmental impact.
Using the design approach of sculpting away rather than building up, the house is pared down until the experience of the extraordinary site is dominant.
Sagaponack
Lot size: 2 acres
Building size: 8965 sq. ft.
Location: Sagaponack, NY
Program: Single Family Residence
Photographer: Michael Moran
Contractor: Wright & Co. Construction
Interior Designer: Bates Masi Architects
Landscape Architect: Stephen Stimson
Located between the Atlantic Ocean and a freshwater pond, this residence is for an adventurous couple and their four sons. They wanted a house for their large family and numerous guests with a lawn, swimming pool, pool house, garage, and sports courts on a site with a limited building envelope due to coastal and wetland zoning. The large program, relatively small footprint, and daunting regulations dictated a building envelope densely packed with program that stood as a barrier between the ocean and the pond. Thus the design process was one of subtraction rather than addition: carving away at the solid mass of the house to reconnect site features and views and to distill the experience of the place.
Spaces run the full width of the house with floor to ceiling sliding doors on both sides. The spaces create apertures through which views, light, and air completely penetrate the house, dissolving its mass. Passersby see directly through the house to the sky and landscape beyond. With the sliding doors open and recessed into the adjacent walls, interior spaces are transformed from formal rooms to open pavilions, merging seamlessly with the site.
To accommodate the extensive program spaces are nested within one another. Operable partitions pull out from the walls of the living room, carving out a media room within the living room when privacy is desired. Conversely, with the partitions open, the media room merges with the living room for large gatherings. The thickness of the wall separating the dining room and kitchen is also cut away, utilizing its depth to accommodate a wine rack that also functions as a light fixture.
The process of carving is applied at the material and detail level as well. The 5/8” corten steel plate that clads the base of the house is waterjet cut into a delicate pattern that defies its mass. Inside, corian is employed for the ease with which it can be milled. Corian countertops are cut to form towel bars, bunk bed frames are carved to create ladders, cabinet doors are recessed to form handles, and wainscoting is subtly etched with meaningful words chosen by the clients.
Materials were chosen not only for their workability, but also for their durability in the coastal environment. Corten steel siding is zero maintenance despite being relentlessly sandblasted by the wind. Cedar siding and screens are finished using a Victorian technique in which the iron sulfate in a blend of white vinegar and iron filings reacts with the tannins in wood, creating an ebony finish that penetrates through the material and will not require refinishing. The lack of harsh stains or finishes reduces the ecological footprint of the house. Geothermal heating and cooling as well as vegetated roofs further reduce the environmental impact.
Using the design approach of sculpting away rather than building up, the house is pared down until the experience of the extraordinary site is dominant.
Sagaponack
Lot size: 2 acres
Building size: 8965 sq. ft.
Location: Sagaponack, NY
Program: Single Family Residence
Photographer: Michael Moran
Contractor: Wright & Co. Construction
Interior Designer: Bates Masi Architects
Landscape Architect: Stephen Stimson
Located between the Atlantic Ocean and a freshwater pond, this residence is for an adventurous couple and their four sons. They wanted a house for their large family and numerous guests with a lawn, swimming pool, pool house, garage, and sports courts on a site with a limited building envelope due to coastal and wetland zoning. The large program, relatively small footprint, and daunting regulations dictated a building envelope densely packed with program that stood as a barrier between the ocean and the pond. Thus the design process was one of subtraction rather than addition: carving away at the solid mass of the house to reconnect site features and views and to distill the experience of the place.
Spaces run the full width of the house with floor to ceiling sliding doors on both sides. The spaces create apertures through which views, light, and air completely penetrate the house, dissolving its mass. Passersby see directly through the house to the sky and landscape beyond. With the sliding doors open and recessed into the adjacent walls, interior spaces are transformed from formal rooms to open pavilions, merging seamlessly with the site.
To accommodate the extensive program spaces are nested within one another. Operable partitions pull out from the walls of the living room, carving out a media room within the living room when privacy is desired. Conversely, with the partitions open, the media room merges with the living room for large gatherings. The thickness of the wall separating the dining room and kitchen is also cut away, utilizing its depth to accommodate a wine rack that also functions as a light fixture.
The process of carving is applied at the material and detail level as well. The 5/8” corten steel plate that clads the base of the house is waterjet cut into a delicate pattern that defies its mass. Inside, corian is employed for the ease with which it can be milled. Corian countertops are cut to form towel bars, bunk bed frames are carved to create ladders, cabinet doors are recessed to form handles, and wainscoting is subtly etched with meaningful words chosen by the clients.
Materials were chosen not only for their workability, but also for their durability in the coastal environment. Corten steel siding is zero maintenance despite being relentlessly sandblasted by the wind. Cedar siding and screens are finished using a Victorian technique in which the iron sulfate in a blend of white vinegar and iron filings reacts with the tannins in wood, creating an ebony finish that penetrates through the material and will not require refinishing. The lack of harsh stains or finishes reduces the ecological footprint of the house. Geothermal heating and cooling as well as vegetated roofs further reduce the environmental impact.
Using the design approach of sculpting away rather than building up, the house is pared down until the experience of the extraordinary site is dominant.
Promised Land
Lot size: 1.25 acres
Building size: 4135 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
Promised Land
Lot size: 1.25 acres
Building size: 4135 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
