Search Terms
Contact
138 Main Street
Apple Bank Building
Second Floor
Sag Harbor, NY 11963
(use for courier delivery)
P.O Box 510
Sag Harbor, NY 11963
(use for USPS delivery)
T 631.725.0229
F 631.725.0230
Profile
Bates Masi + Architects LLC, a full-service architectural firm with roots in New York City and the East End of Long Island for over 45 years, responds to each project with extensive research in related architectural fields, material, craft and environment for unique solutions as varied as the individuals or groups for whom they are designed. The focus is neither the size nor the type of project but the opportunity to enrich lives and enhance the environment. The attention to all elements of design has been a constant in the firm’s philosophy. Projects include urban and suburban residences, schools, offices, hotels, restaurants, retail and furniture in the United States, Central America and the Caribbean. The firm has received 43 design awards since 2003 and has been featured in national and international publications including The New York Times, New York Magazine, Architectural Digest, Architectural Record, Metropolitan Home, and Dwell. Residential Architect Magazine selected Bates Masi one of their 50 Architect’s We Love. A gallery exhibition in May 2010 featured the firm’s earlier work from 1960-70.
Paul Masi spent childhood summers in Montauk and currently resides in Amagansett. He received a Bachelor of Architecture from Catholic University and a Masters of Architecture from the Graduate School of Design at Harvard University. He worked at Richard Meier & Partners before joining this firm in 1998.
Harry Bates, a resident of East Hampton, received a Bachelor of Architecture from North Carolina State University. After ten years with Skidmore, Owings & Merrill, he was in private practice in New York City for 17 years before moving the firm to Southampton on the East End in 1980. Our offices are currently located in Sag Harbor with plans to relocate to a new LEED Certified office building of our own design in East Hampton.






































































Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Pryor
Lot size: 1.6 acres
Building size: 3,200 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Photographer: Bates Masi Architects
Landscape Architect: Coen + Partners
The house occupies a hill in Montauk with a distant view of the ocean, a site that the owners, a couple with two young boys, spent years to find. It is the couple’s reprieve from their home in the city, to share the outdoor lifestyle with their family and to remember their teenage years together in Montauk. The house design prompts the owners to interact with the surrounding environment, evoking experiences of camping.
A departure from typical residential planning, the house is entered through multiple areas for different guests and occasions. Large glass doors slide open to the living, dining and kitchen area for a large gathering; a smaller scaled swing door for an occasional guest opens to the center hall with a view of the ocean. A sequence of auxiliary spaces - beach equipment area, outdoor shower, sand and mudroom – creates a seamless ritual of the daily activities for the family and friends. In all living areas and bedrooms, glass doors and insect screens slide in and out from pocket walls, transforming rooms to screened porches or spaces completely open to the landscape.
The living area, a double height space with kitchen, dining and living area, has thirty-six feet wide glass doors that pocket
into southern and northern walls. When open, the dining room becomes a picnic area and the living room fireplace becomes a campfire. Multiple layers of bronzed metal fabric at the clerestory windows in the living area fold and unfold to adjust sunlight for optimal brightness & temperature of the space. These operable architectural elements use the natural environment to create suitable living conditions.
The house is environmentally friendly in its overall construction and planning with geo-thermal heating and cooling, shading and venting systems, solar panels, and organic finishes and materials. Lending to the structure’s sustainability, the house is assembled, rather than built, with a prefabricated foundation, panel siding and efficient built-ins, minimizing construction debris and toxins such as concrete foundation tar on the site. With the owner’s initial premise of camping, the design and functionality of the house promote a memorable experience for friends and family in the natural environment.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Lion's Head
Lot size: 3/4 acres
Building size: 3,500 sq. ft.
Location: East Hampton
Program: Single Family Residence
Photographer: Bates Masi Architects
Contractor: Karl Avallone Builder
Set on a narrow site atop a bluff overlooking Gardiner’s Bay, this house replaces a vacation home shared by 2 brothers and their families for over 25 years before it was destroyed by fire. Since originally building on the site, new regulations have been established and the families have grown in size. The new structure responds to these needs while preserving and enhancing the casual summertime lifestyle long enjoyed by its owners.
A new house on the same property provided an opportunity to rethink how the client would use the house. The harsh weather of the waterfront location previously required time-consuming maintenance. Therefore, all of the materials for the new house are durable and naturally weathering. The wood siding with water-resistant tannins and oils, zinc fascia, and slate roofing repurposed as a siding material require little maintenance. These strategies allow the family to enjoy each other instead of spending time maintaining their house.
The house is composed of two simple taut volumes. The public and private living areas are in the waterside volume, all with spectacular views and access to the beach. Circulation, baths, and utilities are
in the landward volume overlooking the pool. By offsetting the volumes vertically and horizontally, the surface area of the compact design increases, allowing for more windows to admit light and westerly breezes. This slippage also creates intimate outdoor spaces for bathing, entertaining, and dining.
The views of Gardiner’s Bay that the family has enjoyed for the past 25 years are revisited. Frames create vignettes unique to each space. As a visitor, the sequence of views is choreographed to encourage exploration and further discovery. Snap shots of sky, sea and cliffs coordinate with different experiences throughout the house to create memories.
The deep frames in front of each volume provide privacy from neighboring properties while leaving the east and west facades open to views of the water. The frames create spaces that defy the conventional distinctions between indoors and outdoors. At the roof deck, portions of the ceiling and walls are omitted to create an “outdoor room” open to the sky and the landscape, yet more contiguous with the interior than a conventional deck or terrace. The screened porch is similarly open to the elements while remaining integrated with the sequence of interior rooms. The frames direct attention away from the house to the water views and surrounding landscape, further easing the boundaries between interior and exterior spaces.
By carefully intertwining spaces and materials with the landscape, the design creates an environment that the family will continue to enjoy for many years to come. The deliberate framing of the landscape has changed the perspective of the familiar view giving each family member his or her own unique experience.
Roaman
Lot size: 0.43 acres
Building size: 3,450 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: A Harry&Sally Doghouse
A young couple with a growing family sought to redevelop property on a street of small cottages on narrow half-acre plots, requesting a proposal that could accommodate their space needs, reflect their interests and personalities, and integrate sensitively into the neighborhood. The consummate design for this photographer-naturalist duo combines highly efficient interior and exterior space organization with a dynamic articulation of materials in an architectural vocabulary at once freshly modern and deferential to its neighbors.
The main house and detached woodshop are formed and configured to collect and define discreet areas for outside activities such as guest reception, fireside entertaining, dining, swimming, and lawn sports. Articulating these zones and tailoring each to its intended purpose maximizes the yard’s utility. Extending the facades of the house and woodshop as freestanding walls furnishes each outdoor space with privacy, and tucking other spaces beneath the second story affords shelter from the elements. Ultimately, the small site’s potential is fully realized while maintaining a sense of liberal space through order.
While the house’s cantilevered second story resonates with the other homes on the street in its simple gabled structure and traditional clapboard siding, the ground level is wrapped in a unique custom-milled rainscreen siding. The top edge of each board is beveled subtly at different angles to render varying degrees of shadow and permit various amounts of transparency across the facade. As the sun moves across the sky throughout the day, high to low through the seasons, and crisp to diffuse through atmospheric changes, so too will the house’s surfaces and spaces beyond change dramatically over time. In this way a photo-graphic (light-drawing) technique is activated by changes in the natural environment, uniting the clients’ interests and lifestyle in their home and site.
Amplification of the play of light on the built structure is pursued further inside the house. Above the living room a half-butterfly roof diffuses southern sunlight through a frosted glass clerestory and reflects it deep into the dining area. At the stairwell a dormer nestled in the gabled roof lights the tall column of space from three stories above. And in the master bedroom light entering through the gable-end clerestory filters through a ceiling of the custom-milled siding.
Ultimately, the house not only serves the basic needs of its residents, but also acts as a work of kinetic sculpture, an art piece that enriches their daily lives.
Roaman
Lot size: 0.43 acres
Building size: 3,450 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: A Harry&Sally Doghouse
A young couple with a growing family sought to redevelop property on a street of small cottages on narrow half-acre plots, requesting a proposal that could accommodate their space needs, reflect their interests and personalities, and integrate sensitively into the neighborhood. The consummate design for this photographer-naturalist duo combines highly efficient interior and exterior space organization with a dynamic articulation of materials in an architectural vocabulary at once freshly modern and deferential to its neighbors.
The main house and detached woodshop are formed and configured to collect and define discreet areas for outside activities such as guest reception, fireside entertaining, dining, swimming, and lawn sports. Articulating these zones and tailoring each to its intended purpose maximizes the yard’s utility. Extending the facades of the house and woodshop as freestanding walls furnishes each outdoor space with privacy, and tucking other spaces beneath the second story affords shelter from the elements. Ultimately, the small site’s potential is fully realized while maintaining a sense of liberal space through order.
While the house’s cantilevered second story resonates with the other homes on the street in its simple gabled structure and traditional clapboard siding, the ground level is wrapped in a unique custom-milled rainscreen siding. The top edge of each board is beveled subtly at different angles to render varying degrees of shadow and permit various amounts of transparency across the facade. As the sun moves across the sky throughout the day, high to low through the seasons, and crisp to diffuse through atmospheric changes, so too will the house’s surfaces and spaces beyond change dramatically over time. In this way a photo-graphic (light-drawing) technique is activated by changes in the natural environment, uniting the clients’ interests and lifestyle in their home and site.
Amplification of the play of light on the built structure is pursued further inside the house. Above the living room a half-butterfly roof diffuses southern sunlight through a frosted glass clerestory and reflects it deep into the dining area. At the stairwell a dormer nestled in the gabled roof lights the tall column of space from three stories above. And in the master bedroom light entering through the gable-end clerestory filters through a ceiling of the custom-milled siding.
Ultimately, the house not only serves the basic needs of its residents, but also acts as a work of kinetic sculpture, an art piece that enriches their daily lives.
Roaman
Lot size: 0.43 acres
Building size: 3,450 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: A Harry&Sally Doghouse
A young couple with a growing family sought to redevelop property on a street of small cottages on narrow half-acre plots, requesting a proposal that could accommodate their space needs, reflect their interests and personalities, and integrate sensitively into the neighborhood. The consummate design for this photographer-naturalist duo combines highly efficient interior and exterior space organization with a dynamic articulation of materials in an architectural vocabulary at once freshly modern and deferential to its neighbors.
The main house and detached woodshop are formed and configured to collect and define discreet areas for outside activities such as guest reception, fireside entertaining, dining, swimming, and lawn sports. Articulating these zones and tailoring each to its intended purpose maximizes the yard’s utility. Extending the facades of the house and woodshop as freestanding walls furnishes each outdoor space with privacy, and tucking other spaces beneath the second story affords shelter from the elements. Ultimately, the small site’s potential is fully realized while maintaining a sense of liberal space through order.
While the house’s cantilevered second story resonates with the other homes on the street in its simple gabled structure and traditional clapboard siding, the ground level is wrapped in a unique custom-milled rainscreen siding. The top edge of each board is beveled subtly at different angles to render varying degrees of shadow and permit various amounts of transparency across the facade. As the sun moves across the sky throughout the day, high to low through the seasons, and crisp to diffuse through atmospheric changes, so too will the house’s surfaces and spaces beyond change dramatically over time. In this way a photo-graphic (light-drawing) technique is activated by changes in the natural environment, uniting the clients’ interests and lifestyle in their home and site.
Amplification of the play of light on the built structure is pursued further inside the house. Above the living room a half-butterfly roof diffuses southern sunlight through a frosted glass clerestory and reflects it deep into the dining area. At the stairwell a dormer nestled in the gabled roof lights the tall column of space from three stories above. And in the master bedroom light entering through the gable-end clerestory filters through a ceiling of the custom-milled siding.
Ultimately, the house not only serves the basic needs of its residents, but also acts as a work of kinetic sculpture, an art piece that enriches their daily lives.
Roaman
Lot size: 0.43 acres
Building size: 3,450 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: A Harry&Sally Doghouse
A young couple with a growing family sought to redevelop property on a street of small cottages on narrow half-acre plots, requesting a proposal that could accommodate their space needs, reflect their interests and personalities, and integrate sensitively into the neighborhood. The consummate design for this photographer-naturalist duo combines highly efficient interior and exterior space organization with a dynamic articulation of materials in an architectural vocabulary at once freshly modern and deferential to its neighbors.
The main house and detached woodshop are formed and configured to collect and define discreet areas for outside activities such as guest reception, fireside entertaining, dining, swimming, and lawn sports. Articulating these zones and tailoring each to its intended purpose maximizes the yard’s utility. Extending the facades of the house and woodshop as freestanding walls furnishes each outdoor space with privacy, and tucking other spaces beneath the second story affords shelter from the elements. Ultimately, the small site’s potential is fully realized while maintaining a sense of liberal space through order.
While the house’s cantilevered second story resonates with the other homes on the street in its simple gabled structure and traditional clapboard siding, the ground level is wrapped in a unique custom-milled rainscreen siding. The top edge of each board is beveled subtly at different angles to render varying degrees of shadow and permit various amounts of transparency across the facade. As the sun moves across the sky throughout the day, high to low through the seasons, and crisp to diffuse through atmospheric changes, so too will the house’s surfaces and spaces beyond change dramatically over time. In this way a photo-graphic (light-drawing) technique is activated by changes in the natural environment, uniting the clients’ interests and lifestyle in their home and site.
Amplification of the play of light on the built structure is pursued further inside the house. Above the living room a half-butterfly roof diffuses southern sunlight through a frosted glass clerestory and reflects it deep into the dining area. At the stairwell a dormer nestled in the gabled roof lights the tall column of space from three stories above. And in the master bedroom light entering through the gable-end clerestory filters through a ceiling of the custom-milled siding.
Ultimately, the house not only serves the basic needs of its residents, but also acts as a work of kinetic sculpture, an art piece that enriches their daily lives.
Roaman
Lot size: 0.43 acres
Building size: 3,450 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: A Harry&Sally Doghouse
A young couple with a growing family sought to redevelop property on a street of small cottages on narrow half-acre plots, requesting a proposal that could accommodate their space needs, reflect their interests and personalities, and integrate sensitively into the neighborhood. The consummate design for this photographer-naturalist duo combines highly efficient interior and exterior space organization with a dynamic articulation of materials in an architectural vocabulary at once freshly modern and deferential to its neighbors.
The main house and detached woodshop are formed and configured to collect and define discreet areas for outside activities such as guest reception, fireside entertaining, dining, swimming, and lawn sports. Articulating these zones and tailoring each to its intended purpose maximizes the yard’s utility. Extending the facades of the house and woodshop as freestanding walls furnishes each outdoor space with privacy, and tucking other spaces beneath the second story affords shelter from the elements. Ultimately, the small site’s potential is fully realized while maintaining a sense of liberal space through order.
While the house’s cantilevered second story resonates with the other homes on the street in its simple gabled structure and traditional clapboard siding, the ground level is wrapped in a unique custom-milled rainscreen siding. The top edge of each board is beveled subtly at different angles to render varying degrees of shadow and permit various amounts of transparency across the facade. As the sun moves across the sky throughout the day, high to low through the seasons, and crisp to diffuse through atmospheric changes, so too will the house’s surfaces and spaces beyond change dramatically over time. In this way a photo-graphic (light-drawing) technique is activated by changes in the natural environment, uniting the clients’ interests and lifestyle in their home and site.
Amplification of the play of light on the built structure is pursued further inside the house. Above the living room a half-butterfly roof diffuses southern sunlight through a frosted glass clerestory and reflects it deep into the dining area. At the stairwell a dormer nestled in the gabled roof lights the tall column of space from three stories above. And in the master bedroom light entering through the gable-end clerestory filters through a ceiling of the custom-milled siding.
Ultimately, the house not only serves the basic needs of its residents, but also acts as a work of kinetic sculpture, an art piece that enriches their daily lives.
Roaman
Lot size: 0.43 acres
Building size: 3,450 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
Contractor: A Harry&Sally Doghouse
A young couple with a growing family sought to redevelop property on a street of small cottages on narrow half-acre plots, requesting a proposal that could accommodate their space needs, reflect their interests and personalities, and integrate sensitively into the neighborhood. The consummate design for this photographer-naturalist duo combines highly efficient interior and exterior space organization with a dynamic articulation of materials in an architectural vocabulary at once freshly modern and deferential to its neighbors.
The main house and detached woodshop are formed and configured to collect and define discreet areas for outside activities such as guest reception, fireside entertaining, dining, swimming, and lawn sports. Articulating these zones and tailoring each to its intended purpose maximizes the yard’s utility. Extending the facades of the house and woodshop as freestanding walls furnishes each outdoor space with privacy, and tucking other spaces beneath the second story affords shelter from the elements. Ultimately, the small site’s potential is fully realized while maintaining a sense of liberal space through order.
While the house’s cantilevered second story resonates with the other homes on the street in its simple gabled structure and traditional clapboard siding, the ground level is wrapped in a unique custom-milled rainscreen siding. The top edge of each board is beveled subtly at different angles to render varying degrees of shadow and permit various amounts of transparency across the facade. As the sun moves across the sky throughout the day, high to low through the seasons, and crisp to diffuse through atmospheric changes, so too will the house’s surfaces and spaces beyond change dramatically over time. In this way a photo-graphic (light-drawing) technique is activated by changes in the natural environment, uniting the clients’ interests and lifestyle in their home and site.
Amplification of the play of light on the built structure is pursued further inside the house. Above the living room a half-butterfly roof diffuses southern sunlight through a frosted glass clerestory and reflects it deep into the dining area. At the stairwell a dormer nestled in the gabled roof lights the tall column of space from three stories above. And in the master bedroom light entering through the gable-end clerestory filters through a ceiling of the custom-milled siding.
Ultimately, the house not only serves the basic needs of its residents, but also acts as a work of kinetic sculpture, an art piece that enriches their daily lives.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
Quail Hill
Lot size: 2.1 acres
Building size: 3,400 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Photographer: Christopher Wesnofske
At the first meeting, the clients introduced both their growing family and growing art collection. They were particularly excited about a new artist, Vik Muniz, whose works based on photographs of Jacqueline Kennedy Onassis provided a delightful discovery upon closer inspection: paintings of the iconic images rendered in peanut butter and jelly. This moment of discovery and playful deception became the design concept of the house.
Approaching the house by the winding driveway, the gabled form, massive chimney, and shingled siding are all reminiscent of traditional houses on eastern Long Island. Looking closely, the shingles are, in fact, a woven screen of oak surveyors stakes, similar to those that dotted the steeply wooded lot when the clients first saw it. Similarly, the massive chimney that anchors the house to the site isn’t solid at all, but is actually made of thin concrete panels.
Entering the house, with a view of the pool and gardens beyond, the wall enclosing the stair looks like translucent stone. One has to look very carefully to see that it is a double paned glass wall filled with small seashells, a reference to the nearby beaches. The double-height living/dining room is a compatible scale and space for the large works of art and family
gatherings. The fireplace surround reflects fragmented images of the art and surrounding landscape while its crystalline appearance defies its humble origins: polished stainless steel military dog tags.
Expectations were also subverted in the structural system of the house to reduce the cost and increase the efficiency. Behind the stake siding and interior gypsum board are walls comprised of precast concrete panels typically used in foundation construction. These durable and low maintenance panels are double insulated for efficiency and are a perfect scale for hanging large art. By staggering the walls slightly, tall, narrow windows admit indirect light and allow glimpses of the landscape.
By subverting expectations, this house encourages multiple readings that change, depending on time and perception. It turns this house into something more: an exploration of perception.
North Main
Lot size: 0.45 acres
Building size: 4,670 sq. ft.
Location: East Hampton, NY
Program: Office & Retail
Many contemporary commercial structures are planned with inherent disposability, minimizing initial cost at the expense of fortitude and long-term usefulness. This owner-occupied project challenges the conventional approach, enhancing the property’s value with durable material systems, adaptable spatial organization, and flexible building surfaces.
Insulated precast fly-ash concrete panels envelop the building’s two large uninterrupted spaces. This long-span sturdy shell will long outlast the typical tenant’s occupancy and accommodate an array of future uses. It is sheltered from the brunt of the elements by a skin of recycled modular wooden shingles held in place by custom stainless steel clips. In the same way that a car’s tires are prolonged by rotation, the panels are transferred from severe- to moderate- weathering facades and individually flipped front-to-back to maximize the material’s utility without using toxic, high-maintenance protective paints and stains. Inside, the same clips hold finished ceiling surfaces and light fixtures to the structural concrete planks. Rearranging and modifying these elements permits future users to adapt the spaces’ lighting, reflectance, acoustics, and technology without disturbing the permanent structure.
Similarly, air conditioning, voice, data, and electrical systems are modified by lifting the modular panels of a proprietary raised floor set atop the subfloor. Each panel accepts a replaceable finish layer fitted for grip, reflectance, sound attenuation, and wear-resistance.
In addition to enhancing the building’s value, the qualities of durability and flexibility also lay the foundation for its LEED Certification. Unlike many “green” buildings, this project attends to basic construction elements instead of relying on auxiliary technologies to achieve LEED credits. For instance, while the precast concrete panels are essential to the structure and envelope, they also contain an integrated insulation layer to outperform cast-in-place concrete in energy efficiency. These panels are spaced apart and pierced to introduce light wells and clerestories that reduce reliance on mechanical ventilation and artificial lighting. The wooden siding panels, once weathered to obsolescence, comprise a completely biodegradable product free of synthetic adhesives, fasteners, chemical coatings, or finishes. On the roof an array of modular planting trays insulates the building and diverts roof run-off water from the storm drains. Similarly sized photovoltaic panels may later replace some or all of these planting tray modules.
By simplifying the structure’s configuration, minimizing building technologies, facilitating future adaptation and superceding current regulations with LEED Certification criteria, the project acquires the attributes of “timelessness”; it will outlast its contemporaries and extend our natural resources.
North Main
Lot size: 0.45 acres
Building size: 4,670 sq. ft.
Location: East Hampton, NY
Program: Office & Retail
Many contemporary commercial structures are planned with inherent disposability, minimizing initial cost at the expense of fortitude and long-term usefulness. This owner-occupied project challenges the conventional approach, enhancing the property’s value with durable material systems, adaptable spatial organization, and flexible building surfaces.
Insulated precast fly-ash concrete panels envelop the building’s two large uninterrupted spaces. This long-span sturdy shell will long outlast the typical tenant’s occupancy and accommodate an array of future uses. It is sheltered from the brunt of the elements by a skin of recycled modular wooden shingles held in place by custom stainless steel clips. In the same way that a car’s tires are prolonged by rotation, the panels are transferred from severe- to moderate- weathering facades and individually flipped front-to-back to maximize the material’s utility without using toxic, high-maintenance protective paints and stains. Inside, the same clips hold finished ceiling surfaces and light fixtures to the structural concrete planks. Rearranging and modifying these elements permits future users to adapt the spaces’ lighting, reflectance, acoustics, and technology without disturbing the permanent structure.
Similarly, air conditioning, voice, data, and electrical systems are modified by lifting the modular panels of a proprietary raised floor set atop the subfloor. Each panel accepts a replaceable finish layer fitted for grip, reflectance, sound attenuation, and wear-resistance.
In addition to enhancing the building’s value, the qualities of durability and flexibility also lay the foundation for its LEED Certification. Unlike many “green” buildings, this project attends to basic construction elements instead of relying on auxiliary technologies to achieve LEED credits. For instance, while the precast concrete panels are essential to the structure and envelope, they also contain an integrated insulation layer to outperform cast-in-place concrete in energy efficiency. These panels are spaced apart and pierced to introduce light wells and clerestories that reduce reliance on mechanical ventilation and artificial lighting. The wooden siding panels, once weathered to obsolescence, comprise a completely biodegradable product free of synthetic adhesives, fasteners, chemical coatings, or finishes. On the roof an array of modular planting trays insulates the building and diverts roof run-off water from the storm drains. Similarly sized photovoltaic panels may later replace some or all of these planting tray modules.
By simplifying the structure’s configuration, minimizing building technologies, facilitating future adaptation and superceding current regulations with LEED Certification criteria, the project acquires the attributes of “timelessness”; it will outlast its contemporaries and extend our natural resources.
North Main
Lot size: 0.45 acres
Building size: 4,670 sq. ft.
Location: East Hampton, NY
Program: Office & Retail
Many contemporary commercial structures are planned with inherent disposability, minimizing initial cost at the expense of fortitude and long-term usefulness. This owner-occupied project challenges the conventional approach, enhancing the property’s value with durable material systems, adaptable spatial organization, and flexible building surfaces.
Insulated precast fly-ash concrete panels envelop the building’s two large uninterrupted spaces. This long-span sturdy shell will long outlast the typical tenant’s occupancy and accommodate an array of future uses. It is sheltered from the brunt of the elements by a skin of recycled modular wooden shingles held in place by custom stainless steel clips. In the same way that a car’s tires are prolonged by rotation, the panels are transferred from severe- to moderate- weathering facades and individually flipped front-to-back to maximize the material’s utility without using toxic, high-maintenance protective paints and stains. Inside, the same clips hold finished ceiling surfaces and light fixtures to the structural concrete planks. Rearranging and modifying these elements permits future users to adapt the spaces’ lighting, reflectance, acoustics, and technology without disturbing the permanent structure.
Similarly, air conditioning, voice, data, and electrical systems are modified by lifting the modular panels of a proprietary raised floor set atop the subfloor. Each panel accepts a replaceable finish layer fitted for grip, reflectance, sound attenuation, and wear-resistance.
In addition to enhancing the building’s value, the qualities of durability and flexibility also lay the foundation for its LEED Certification. Unlike many “green” buildings, this project attends to basic construction elements instead of relying on auxiliary technologies to achieve LEED credits. For instance, while the precast concrete panels are essential to the structure and envelope, they also contain an integrated insulation layer to outperform cast-in-place concrete in energy efficiency. These panels are spaced apart and pierced to introduce light wells and clerestories that reduce reliance on mechanical ventilation and artificial lighting. The wooden siding panels, once weathered to obsolescence, comprise a completely biodegradable product free of synthetic adhesives, fasteners, chemical coatings, or finishes. On the roof an array of modular planting trays insulates the building and diverts roof run-off water from the storm drains. Similarly sized photovoltaic panels may later replace some or all of these planting tray modules.
By simplifying the structure’s configuration, minimizing building technologies, facilitating future adaptation and superceding current regulations with LEED Certification criteria, the project acquires the attributes of “timelessness”; it will outlast its contemporaries and extend our natural resources.
North Main
Lot size: 0.45 acres
Building size: 4,670 sq. ft.
Location: East Hampton, NY
Program: Office & Retail
Many contemporary commercial structures are planned with inherent disposability, minimizing initial cost at the expense of fortitude and long-term usefulness. This owner-occupied project challenges the conventional approach, enhancing the property’s value with durable material systems, adaptable spatial organization, and flexible building surfaces.
Insulated precast fly-ash concrete panels envelop the building’s two large uninterrupted spaces. This long-span sturdy shell will long outlast the typical tenant’s occupancy and accommodate an array of future uses. It is sheltered from the brunt of the elements by a skin of recycled modular wooden shingles held in place by custom stainless steel clips. In the same way that a car’s tires are prolonged by rotation, the panels are transferred from severe- to moderate- weathering facades and individually flipped front-to-back to maximize the material’s utility without using toxic, high-maintenance protective paints and stains. Inside, the same clips hold finished ceiling surfaces and light fixtures to the structural concrete planks. Rearranging and modifying these elements permits future users to adapt the spaces’ lighting, reflectance, acoustics, and technology without disturbing the permanent structure.
Similarly, air conditioning, voice, data, and electrical systems are modified by lifting the modular panels of a proprietary raised floor set atop the subfloor. Each panel accepts a replaceable finish layer fitted for grip, reflectance, sound attenuation, and wear-resistance.
In addition to enhancing the building’s value, the qualities of durability and flexibility also lay the foundation for its LEED Certification. Unlike many “green” buildings, this project attends to basic construction elements instead of relying on auxiliary technologies to achieve LEED credits. For instance, while the precast concrete panels are essential to the structure and envelope, they also contain an integrated insulation layer to outperform cast-in-place concrete in energy efficiency. These panels are spaced apart and pierced to introduce light wells and clerestories that reduce reliance on mechanical ventilation and artificial lighting. The wooden siding panels, once weathered to obsolescence, comprise a completely biodegradable product free of synthetic adhesives, fasteners, chemical coatings, or finishes. On the roof an array of modular planting trays insulates the building and diverts roof run-off water from the storm drains. Similarly sized photovoltaic panels may later replace some or all of these planting tray modules.
By simplifying the structure’s configuration, minimizing building technologies, facilitating future adaptation and superceding current regulations with LEED Certification criteria, the project acquires the attributes of “timelessness”; it will outlast its contemporaries and extend our natural resources.
Tessa
Size: 3,250 sq. ft.
Location: New York, NY
Program: Restaurant
Project Narrative Forthcoming
Tessa
Size: 3,250 sq. ft.
Location: New York, NY
Program: Restaurant
Project Narrative Forthcoming
Tessa
Size: 3,250 sq. ft.
Location: New York, NY
Program: Restaurant
Project Narrative Forthcoming
Tessa
Size: 3,250 sq. ft.
Location: New York, NY
Program: Restaurant
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Hither Hills
Lot size: .35 acres
Building size: 3,300 sq. ft.
Location: Montauk, NY
Program: Single Family Residence
Project Narrative Forthcoming
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Far Pond
Lot size: .43 acres
Building size: 3,100 sq. ft.
Location: Southampton, NY
Program: Single Family Residence
The waterfront site of an existing 1970’s kit house overlooks layers of wetlands to an estuary, the bay, and the ocean. The client set the parameters of keeping the existing structure while doubling the size of the house with an addition. The existing structure consists of glulam post and beam construction connected with steel plates. One solution could be to mimic the existing architectural language of the post and beam skeletal structure in the addition. Since the existing house clearly expressed the structural system, the addition should also express this. The architect chose to clearly identify the existing system of the house and create a dialogue with a contrasting panelized system in the addition. The new system utilizes prefabricated elements that resolve multiple structural and spatial problems. Examining the strategy of a kit of parts, current material fabrication technologies are utilized to expand on this idea. A different approach to sustainability is explored, minimizing waste by simplifying to the essential components in order to resolve multiple problems, thus eliminating typical construction waste. Using a standard as a precedent and developing a new structural system paired with the latest technologies, a material can accomplish multiple tasks and heighten the experience of inhabiting the space.
Prefabricated shear wall panels, used in light frame construction in areas that are
hurricane prone with high force winds, were studied. Most are made from a light gauge metal folded to add strength and rigidity. For our case the panels were to be exposed and used for more than just a hidden structural component. A standard light gauge 4x8 steel sheet was folded back and forth along the long axis adding the same strength and rigidity to the panel. The resulting 2’ panel locks into adjacent panels and is a structural shear and bearing assembly, as well as a decorative furniture component.
The new structural panels multitask throughout the addition. The solid steel transitions to a perforated panel that baffles the sunlight over windows and doors. The light quality varies throughout the day as light levels transition through the overlapped perforations. Fins that protrude from the wall panels are laser cut to accept shelving, seating and countertops. The same perforated steel becomes the dining room chandelier, and the platform for the stair and desk. This one material is exhausted in its possible uses throughout the house, minimizing the necessity for additional components that require wasteful shipping and packaging. The secondary infill material is used through both structures, on the floors, walls and ceilings to unify the old and the new.
Using new technologies to fabricate customized panels from a standard product accomplishes several things: less material is necessary to achieve greater structural strength, multiple programs can be integrated into one material, waste is minimized resulting in a more effective approach to sustainability, and the dialogue between the existing and new structural systems elevates the experience of inhabiting the space.
Promised Land
Lot size: 1.25 acres
Building size: 4135 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
Promised Land
Lot size: 1.25 acres
Building size: 4135 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
Promised Land
Lot size: 1.25 acres
Building size: 4135 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
Promised Land
Lot size: 1.25 acres
Building size: 4135 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
Promised Land
Lot size: 1.25 acres
Building size: 4135 sq. ft.
Location: Amagansett, NY
Program: Single Family Residence
Project Narrative Forthcoming
